Reviews

"One voice and talent of exceptional proportions...a Countess Almaviva of class, nobility and vocal brilliance"...Pasadena Star News

"Rosemary Wagner-Scott sang the role of Nedda with a bright, expressive soprano."...Santa Monica evening Outlook

"Scott is magnificent as the stylized Columbine character.  Here's an opera singer who can really act and who knows the art of mime well."...Sacramento Union

"Scott's even, lyrical voice embodies the range of a soprano with the rich coloring of a mezzo, and her musicianship in the service of the drama adds a delicate refinement in attack and release as easily controlled in ethereal pianissimos as gut-wrenching fortes."...Long Beach Press Telegram

"Rosemary Wagner-Scott brought strong vocal resources to the role of Alma...intelligent, feverish acting"...Los Angeles Times

"Rosemary Wagner-Scott, in the difficult role of Antonia, a consumptive singer, performed with technical brilliance.  Her highs especially shimmered.  She made the death scene...believable and touching."...Sacramento Bee

"Rosemary Wagner-Scott as Antonia finds a fabulous vocal texture in the 'Elle a fui, la tourterelle', ...that was a musical highlight"...Sacramento Union

"...excellent, tender and moving...as Micaela:...Redlands Daily Facts

"Tosca truly impressive...Rosemary Wagner-Scott sang a stunning 'Vissi d'arte!"...The Bajan Advocate

"Rosemary Wagner-Scott...sang the title role with conviction.  From her carefree flirtation with Cavaradossi, through her self-sacrifice for him at Scarpia's behest, to her suicide, she was utterly convincing...The Tattler, (Carolyn Bartholomew - Opera column review, Tosca London, June 1996)

"The standout was Verdi's Aida as performed by soprano Rosemary Wagner-Scott...Ms. Wagner-Scott's excellent singing was enhanced by her virtuoso acting."...The Business Daily, Philippines, July, 1996

"Rosemary Wagner-Scott, in the first of two appearances scheduled at the Bowl this summer...brought popular operatic aspects to the evening...A remarkable, unprogrammed, quiet interlude to the bustling evening was her solo...of "You Must Love Me",...from the film version of Evita.  she made it memorable."...Redlands Daily Facts

"Aida is a triumph.  Rosemary Wagner-Scott's beautiful voice, with its wide range from mezzo to soprano, is admirably suited to the title role of a proud woman reduced to slavery, redeemed through love."...The News

Ms. Wagner-Scott is represented by:

New Arts Internet Music Management

Post Office Box 41-2067

Los Angeles, CA 90041

1-800-700-1183

E-Mail: NewArtsIMM@aol.com

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